SOMIGLI, Luca (2003), Legitimizing the Artist: Manifesto Writing and European Modernism, 1885-1915, Toronto, University of Toronto Press. PUCHNER, Martin (2006), Poetry of the Revolution: Marx, Manifestos, and the Avant-gardes, Princeton, Princeton University Press. PERLOFF, Marjorie (1986), The Futurist Moment: Avant-Garde, Avant Guerre, and the Language of Rupture, Chicago, University of Chicago Press. (ed),The Psychology of Computer Vision, New York, McGraw-Hill, 211-277. MINSKY, Marvin (1975), “Framework for representing knowledge”, in Winston, O. LYON, Janet (1999), Manifestoes: Provocations of the Modern, London, Cornell University Press. LUKÁCS, George (1971), History and Class Consciousness: Studies in Marxist Dialectics, Cambridge, MIT Press. LAWTON, Anna (1988), “Futurism in Russia, 1912–1916”, in Lawton, Anna / Eagle, Herbert (ed., transl),Russian Futurism through Its Manifestoes, 1912-1928, Ithaca / London, Cornell University Press, 11-33. by the Linguistic Society of Korea, Seoul, Hanshin, 111-137. (1982), “Frame semantics”,Linguistics in the morning calm, ed. Letters and theoretical writings, translated by Paul Schmidt, edited by Charlotte Douglas, USA, Harvard University Press.įILLMORE, Charles J. 1., Paris, Maspero.īELYAEVSKAYA, Elena G. The results obtained show that the manifestoes under consideration are, in essence, the first “trials” in the field of (poetic) language reformation and language experimentation and the sources of the idiomatics (idioms / idiomatic expressions) that can be termed “experimental”.ĪLTHUSSER, Léon / BALIBAR,Étienne / ESTABLET,Roger / MACHEREY,Pierre / RANCIÈRE,Jacques (1967), Lire le Capital, Vol. Special attention is paid to the elaboration of the methodology aimed to identify avant-garde idioms proper in the avant-garde literary discourse. As very expressive and complex rhetorical performances, manifestoes contain various kinds of idiomatic phrases that can be considered both vivid representations of a particular (avant-garde) approach to the language and prescriptions for certain ways of the language use. In particular, it studies avant-garde manifestoes written by the representatives of Cubo- Futurism, in which radical aesthetic renewal and the need for the reformation in the sphere of literature are proclaimed. The paper sets out to explore the avant-garde literary discourse from the point of view of its idiomatic constituent.
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